The Painter
1798–1863 · French · Romanticism
French Romanticism against the academy — colour and energy over drawing and restraint.
Eugène Delacroix led the Romantic revolt against the cool, linear Neoclassicism that ruled French painting after the Revolution. Where the academy wanted drawing, restraint and antique subjects, he wanted colour, movement and the present day.
He was a formidable colourist and knew it: his journals and his studies of complementary contrast were read closely by the Impressionists a generation later, and Signac wrote a whole book tracing the line from him to Neo-Impressionism.
Liberty Leading the People was painted within weeks of the Three Glorious Days of 1830. The state bought it in 1831 and then kept it out of sight for years — the image was considered too openly seditious to hang.
Romantic painting was made fast and in high contrast, against an academy that wanted drawing and restraint. The loose handling is the argument, so tidying it into a careful finish is the surest way to kill the picture.
Biographical details on Wikipedia.












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